[ music | Alanis Morissette - Ironic ]

I probably shouldn't be enjoying Boing Boing's implosion of credibility as much as I am. And I probably wouldn't if it weren't for Boing Boing's incredibly lame defense.

"It's our blog and so we made an editorial decision, like we do every single day. We unpublished our own work."

What Boing Boing fails to realize is that this damages their credibility. You can no longer count on Boing Boing standing by what they've said. Sure opinions change, but what you said should have some weight. Even if you don't mean it anymore, or no longer agree with it, you said it, and hopefully meant it at the time. Neither The New York Times nor Time Magazine "unpublish" stories. It's cheap, and it tells people you care so much about what you look like that you want to hide past mistakes, which costs you credibility.

"There's a big difference between that and censorship."

True, censorship is when a force out of your hands, usually government, prevents you from publishing something. However "unpublishing" is merely an act of editorial cowardice. It means you don't believe in what you're saying. It means you shouldn't be looked to for ethical integrity. How would Boing Boing have reacted had they discovered Newsweek or CNN were "unpublishing" stories, burying bad calls they made?

"Violet behaved in a way that made us reconsider whether we wanted to lend her any credibility or associate with her."

You denied her credibility by making yourselves no longer credible. A truly ethical journalist would have let the stories stand, and if asked about them now, merely said that things have changed and you no longer feel that way. As it is, you're trying to bury a past you feel is embarrassing, and that's the type of behavior we mock in our politicians and don't tolerate in our most highly respected journalists. If Violet did something stupid, you jsut cut of fyour contact, choose to no longer cover her, and let the past stand.

You don't rewrite history. When you try to do that, you create exactly this type of "real internet shitstorm and pile-on", and honestly, I can't say you don't deserve it. You've been caught with your hand in the cookie jar, and this is the smack on the hand you earned. This is your rigged truck crash test, your CBS News Killian document fiasco.

You can try to claim it's just a silly Internet thing, but it's not. Not unless you're willing to call yourselves just another silly Internet site. Do you want to play with the big boys or not? If so, you better play by the rules.

I used to respect Xeni, in spite of the Xeni Sucks crowd. However, this ordeal shows me that she's not above allowing petty disagreements in her personal life to cause great lapses in her professional judgment. and play it down all you want, this is a great lapse in judgment.

I may no longer agree with things I said or wrote five or ten years ago, but I'm not going to pretend I didn't say them. When people know I'll be honest, they will also believe I'm credible, because I'll always try to tell it like it is. When you erase the parts of your past you don't like, you're not being honest, and when you're not honest, you're not credible. And if you ever want to be taken seriously, that matters.

[ music | Jimi Hendrix - All Along The Watchtower ]

No spoilers here. I just have to say there has never been a better TV show. We've just entered Act 3 of a three part epic. The past several episodes have had some serious foreshadowing, but as usual, it never plays out as you expect. There's little point in trying to figure out where the show is going, because, much like life, it's not entirely linear. Just because it looked a certain way doesn't mean that's the way it is, it just means our assumptions were wrong. Or in the case of this show, our preconceptions are being challenged in a whole new way, a way that TV rarely dares to try. It's not trickery, it's not deus ex machina, it's a genuine method of engaging the audience in a new way. We keep trying to project our experiences on these people because in so many ways they're so like us, but that's just a hook to help the writers show us a new point of view.

Keep it up. I can't wait to see how Act 3 ends. I know it'll be worth it.

[ music | NIN - We're In This Together ]

The miniseries was incredible. The first season was so fracking huge it didn't end until six episodes into the second season. The last 5 minutes of the Season Two finale took my head and twisted completely around.

The season premier of Season Three completely blew me away. Best TV show ever. This is why God invented TV.

[ music | George Harrison - The Pirate Song ]

Don't be fergittin' that today, the 19th o' September, be Talk Like A Pirate Day! Ye best be talkin' like a Piratical sort if ye knows what's best fer ya! I just though I'd be a warnin' ya, in case ye be a little lax on the calendaring of yer holidays! Arrr! I'm off to find me some wenches and rum and drink me-self to the bottom o' a barrel!

-- Pirate Bob the Sword Test Dummy

[ music | Nine Inch Nails - A Warm Place ]

Well, I'll let everyone else determine it's art value, but I will say I love exactly how it turned out. This is actually a rewrite, something I so rarely do that it's truly an occasion. But this is what I needed it to say, as opposed to what it said before. I haven't been this exhausted after writing in years. I feel wrung out, drained, but good; like I've just sobbed out a heartache all night and woken up the next morning. I've missed this, too. Believe it or not, I've actually been at this for hours. It doesn't feel like it, but it's been hours. I'm going to go sleep now, or try to at least.

[ music | Depeche Mode - A Question of Lust ]

It is the east, and Storm Trooper 78,443 is the sun.

I swear he looks like he's going to cry. "This is the most beautiful thing I have ever seen!" All I want to know is where they sell low-rise codpieces...

[ music | Tori Amos - Silent All These Years ]

Long ago, I used to write, a lot. Some of the best stuff (and a few of the not-so-best but fun) is over in The Museum, if you've never been. I wrote pen on paper. I have to use paper for some things, or it comes out flat. I saved every one of those papers (and a few more...) Well, I stopped writing a while later, when I buried my passions. During those long, cold years, when I was someone else I didn't like, I don't remember writing much of anything. Certainly nothing of value. I know I wrote many things I immediately discarded.

I began writing again recently, when I began singing again, when I let me out of my cage. I just went looking for some of those new things, and found a few things from those silent times, tiny sparks in the dark, only embers now, but enough to see that that fire was always there. I think I'll put them in The Museum soon. But two I had to share now. They're not my best, but they show a little promise... There's hope for me yet. ;)

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Save Enterprise!

This year, Rick Berman and Brannon Braga stepped back from running the daily operations and writing duties of Enterprise. They brought in the fantastically talented Manny Coto to run the show. Since then, the quality of Enterprise has skyrocketed. Season one had promise. Season two broke that promise. Season three finally had purpose, and was watchable. This season, Season Four, has been the best Trek in years, it's some of the best Trek ever. We finally, after the squandered riches Voyager could have been (although it had it's moments), the magnificent but unloved stepchild of DS9, we got some of the most wonderfully original and yet TOS-respectful Star Trek ever. It was like water to a man in the desert.

Viacom co-CEO Les Moonves cancelled Enterprise on February 3rd, 2005. Millions of Trek fans, myself included, were crushed. I can understand Les Moonves' position from a strictly numbers perspective. But, the numbers don't take into account the change in leadership. Rick Berman has had good ideas for Star Trek over twenty years, but he doesn't belong in a Producer or Executive Producer role. Brannon Braga has had some good ideas for Trek as well, but more often than not, he's just better just writing other people's ideas. He has no business producing a high school play much less a TV and movie franchise. If Les Moonves wants to do some firing, tell Paramount to fire B&B, and put Manny Coto in full control of the show. Then Les will get something else he wants, quality TV that produces good ratings. Even with the move to Friday nights, Enterprise has delivered steady ratings, when most moves to that night watch their ratings dry up.

The core audience is there, Mr. Moonves, the talent is there, and a fantastically rich mine of stories is there. Fire the inept managers, and let the miners deliver you the gold. Save Enterprise!

I am flabbergasted. This mini-series is easily some of the best television I have ever seen. Absolutely riveting. I have just finished watching the final episode, and I'm sweating from the tension and anticipation. I just can't say enough good things about it, and as I think for a moment, I can't think of anything I didn't like. SciFi will replay all 5 parts of "5ive Days To Midnight" back to back Sunday night, starting at 7pm eastern time. I strongly recommend it to anyone who likes murder mysteries, thrillers, SciFi, and good TV in general.

Wow. I've only seen the first two hours of this 4 day, 5 hour miniseries on SciFi, but 5ive Days To Midnight is already fantastic. It's tightly written, shot beautifully, and the acting is top notch. It's got Timothy Hutton (I loved him in the Nero Wolfe series too), Nicole de Boer (who took up the part of Ezri Dax in the final season of DS9), Randy Quaid, and the incredibly beautiful and talented Kari Matchett.

In short, Tim Hutton's character J.T. Neumeyer (a physics professor, which makes him cool from the start) comes across a briefcase very carefully intended for him, with evidence he'll be murdered in five days. He now has to figure out if it's real, and if so, how to stop it. This all happens on June 7, 2004, which is when you're watching it. Meaning he'll die on this coming friday. This is an additionally cool feature because it's carefully planned to fit into the real calendar we live in while watching the film, which deepens the sense of reality and puts the viewer in the same timeline as our protagonist.

All the little pieces of the puzzle (he loves puzzles, like the huge jigsaw puzzle on his table at home) fit wonderfully, and are revealed to us in an unpredictable manner. It's not braindead linear like many mysteries. Clues revealed to us come at seemingly random times, and may not be understood till much later. Really good. Like an excellent novel. I can't wait for hours 3-5.

Ignore what Melanie McFarland, of the Seattle Post Intelligencer says. I don't know what movie she was watching, but it wasn't this one. Yes, it's got a Sci-Fi bent to it. Wow, figure that out, a sci-fi movie on the SciFi network! Larry Niven called sci-fi a literary ghetto due to it's total lack of respect from the outside. And yet science fiction has produced some of the greatest books ever, it's even infiltrated our language and culture. If you check your sci-fi prejudices at the door, you'll love this mini-series.

Update: Someone at the New York Times knows what I'm talking about. Thank you Virginia Heffernan!.